Cree composer Cris Derksen showcases new works with ensembles

In the world of contemporary classical music, the confluence of cultural identity and artistic expression is becoming increasingly prominent. One noteworthy figure in this space is Cris Derksen, a Cree composer and cellist whose works resonate deeply with themes of Indigenous experience and societal issues. Her latest piece, Still Here, is set to make waves as it premieres with the Toronto Symphony Orchestra, opening new dialogues through music.

Exploring the meaning behind the composition Still Here

Cris Derksen’s Still Here is a poignant 15-minute composition that draws inspiration from the lived experiences of Indigenous patients at the Centre for Addiction and Mental Health (CAMH) in Toronto. This work weaves together personal narratives, cultural heritage, and contemporary musical techniques.

The collaboration involved not just Derksen and the Toronto Symphony Orchestra (TSO) musicians but also the voices of First Nations, Inuit, and Métis patients, enriching the composition with authentic perspectives. Derksen emphasizes the importance of these contributions, stating how deeply moved she was when a participant shared their emotional response to a piece of media, highlighting the personal connections that music can evoke.

Incorporating diverse influences into music

One of the most striking aspects of Still Here is the way it integrates various musical elements and personal stories. For example, one participant, a fan of Leonard Cohen, inspired the use of a specific chord progression from Hallelujah, illustrating how music transcends genres and connects disparate experiences. This blend of inspiration showcases Derksen's ability to merge traditional Indigenous sounds with contemporary influences.

• Use of environmental sounds: Patients recorded everyday sounds, such as the tick-tock of crossing signals and subway doors, which were transformed into musical ideas.
• Emotional storytelling: The narrative behind each sound adds depth and meaning to the composition.
• Collaboration with patients: Engaging patients in the creative process fosters a sense of inclusion and representation.

Derksen's broader artistic vision

Beyond Still Here, Cris Derksen's body of work reflects a continuous exploration of social consciousness through music. Her compositions often address pressing issues, combining classical, Indigenous, and rock elements to create a unique soundscape. For instance, her earlier work Controlled Burn was a direct response to the devastating wildfires in Canada, while Mass for Nipiy: A Prayer For Water champions Indigenous water sovereignty.

Derksen articulates a profound belief in the power of composers to influence societal dialogues. She states, “What I think is incredible about being a composer is our ability to shine a light on whatever you think society should be thinking about.” This perspective guides her creative process, ensuring that her music serves as a vehicle for meaningful commentary.

Upcoming performances and collaborations

As part of a program that includes Rachmaninoff’s Piano Concerto No. 3 and Shostakovich’s Symphony No. 9, Still Here will present its world premiere with the TSO, marking it as a significant milestone for the Art of Healing initiative. This program aims to highlight the therapeutic power of music in connection to mental health, resonating particularly well with its roots in CAMH.

Furthermore, Derksen's work is gaining traction in other artistic domains. She recently composed music for Cikilaxwm: Controlled Burn, a new dance piece by Cameron Fraser-Monroe for Ballet Kelowna. This ballet is a creative reflection of her earlier symphonic work, demonstrating her versatility and ability to engage with different artistic forms.

Impact of arts on mental health and community

The collaboration between the TSO and CAMH is part of a broader movement among arts organizations in Canada to integrate wellness initiatives within their programming. Recent studies indicate that arts participation can significantly enhance mental well-being, with benefits such as:

• Increased energy levels among participants.
• Stronger social connections through shared experiences.
• Enhanced cultural identity and pride.

Organizations like the Ottawa Art Gallery are exploring similar partnerships, connecting artists with seniors through virtual programs, demonstrating the expansive reach of art in promoting mental health.

Anticipation for future performances

Cris Derksen is set to perform three movements from her Mass for Nipiy at Carnegie Hall on May 25, following a full performance in Toronto on May 9. This concert, presented by the Amadeus Choir, highlights her innovative use of technology, such as looping pedals, to create complex audio textures, further enriching the choral experience.

Despite not being able to attend her piece's debut at Carnegie Hall due to visa complications, Derksen remains optimistic about future opportunities to share her music on such prestigious stages. Her confidence and resilience speak volumes about her commitment to her craft and the importance of her voice in the contemporary music scene.

Derksen's journey exemplifies how music can serve as a powerful medium for storytelling, cultural representation, and social commentary, making her an essential figure in the landscape of contemporary classical music.